Once upon a time, while the moon was sweeping Just after the ice age had ceased creeping And when the world’s sky had finished wistfully weeping Mother Nature always had time for her housekeeping And would never leave “love” under the snow, sleeping
I’ve always found it difficult to simply wash away the salty tears The residual droplets seemed to have crystallized upon my soul’s fears
While the pot remains simmering and the irons are still hot, a passion for writing is this poet’s lot
Feature Image Above: was created by Copilot and me.
Over at Weekly Prompts, the Weekend Challenge is the word “Squish” To visit their fabulous site, please click >>Here … and I think everything about censorship is awfully “Squishy.”
Nancy’s story on The Elephant’s Trunk [https://theelephantstrunk.org/2026/01/20/rdp-tuesday-disapprove/ ] stirred an old frustration in me — how easily free expression can be twisted, muted, or dismissed. I left a brief comment there, but the idea continued to nag at me throughout the afternoon. Sitting in a quiet corner of the café, I found myself shaping those few lines into something fuller, a small protest poem about the weight of censorship and the stubborn resilience of words. This is where that moment led.
When Words Wear Chains
Words wearing chains, Pages awash in teary rain; Quills feel the pain, Like wisdom without veins Inside lifeless brains.
How to explain The inhumane Of censorship’s careering train, While the reigning regimes Sip on foreign champagne.
Inspired by one of Derrick Knight’s quietly atmospheric New Forest photos — which he kindly allows me to use on my poetry site >>https://derrickjknight.com/2026/01/19/decidedly-damp-2/ — this piece reflects the stillness and subtle depth held in a simple pond.
Discreetly Reflective
Discreetly, here I casually lie, My opalescent veneer Facing the weathered sky – Reflective is my exterior.
Underneath, at the bottom of the weir, A shallow coldness protects my fear Of overexposure To the New Forest’s frontier. But being a reflective mirror Is my theatrical nature
Music:“Elegy” by Lisa Gerrard & Patrick Cassidy — a quiet echo of the pond’s stillness.
Today’s Throwback Friday poem (originally written in August 2023) is drawn from my upcoming book, Time Hears No Sound. It appears as the first poem in the Fairyland section of Chapter 9, Humour, Fantasy, and Fairyland: Timeless
Where Have The Fairies Gone?
Deep in the enchanted woods Under mossy rocks and water-reeds I saw an iron-bar prison door Lying over a cave in the dry creek bed
I wondered and yelled out “Hello! Is anyone down there?” Eerily, a gentle voice whispered “Do not worry, we are sheltering here.” “Why are you hiding?” I inquired “We are waiting for humanity to stop the carnage on our planet.”
Then, peeping up from lower in the chasm I witnessed that the small luminous eyes Of Earth’s guardian faeries Were joyless and crying
Music/Video: by Sigur Ros, “Ylur”, translated means, Warmth
Sublime is time; heeds no rhyme, beyond our imaginary climb. Somewhere we await a final line – or is life just a pantomime?
Oh, I see doorways, stairways, and causeways These days I’m living in a hazy daze – or am I wandering in a maze of poetic cliches and unfinished essays?
Do we climb the incline to our ordained shrine? Or is the causeway a surreal design, a decline into a magnetic mine?
Under a dome of flawless white, being elevated toward the uncorrupted light – the beginning of a poet’s last moonlit playwright
From Lisa O’Neill’s Black Sheep —“Do you want a story before you sleep?”A fitting echo for this small pantomime of doorways and moonlit climbs.