“Frankie the Salesman, master of the lucky-dip and poetry protocol. Cavalier by nature, befriending by heart.”
Frankie the Salesman
Here we are, under the glass-roofed part Of the covered Centrepoint Arcade. The spring sun is decorating our book stall, And my salesman is in charge of poetry protocol.
The ‘Take a Poem Home Lucky-dip’ is again very popular My furry assistant has been willingly jocular, And appropriately, befriendingly cavalier.
Today’s Throwback Friday poem is drawn from my upcoming book, Time Hears No Sound. It opens Chapter 3, Time: Hears No Commands—a section that explores the quiet rebellion of nature and spirit against the ticking of the clock.
Flying Through Time
Flying below the clouds or Zooming above the bay or Swooping across the paddocks
My wings are oblivious to the climb And do not hear the sound of time
“I wanted to show that I could do things as well as anyone else, even if I did have to do them differently.” … Alan Marshall, the author of ‘I Can Jump Puddles’
Tomorrow is Another Day
I cannot fly beyond the platinum twilight, and soaring above sunset’s iridescent clouds would be to achieve the impossible dream.
But I can jump puddles, and I am more than ready to leap — as far as my weary wings will take me
I always make my bed in the morning As soon as I get up. Surprise, surprise! When I arrived home from outing To the Geelong Short Play Festival show There: my bed covers, we’re all ruffled up! “Who had been sleeping in my bed?”
When I left my house There was only one guy inside To look after the place While I was out having a good time Yep! … you guessed it That, guilty-looking, “Frankie”
Today I attended the matinee session of the Geelong Short Play Festival at the Geelong Performing Arts Centre, and left feeling inspired by the depth of local talent and the warmth of community spirit.
Organised by Geelong Writers Inc. and supported by the Geelong Arts Centre, the festival marks a vibrant new chapter in the region’s creative calendar. As Paul Bucci, Chair of the Geelong Short Play Festival Working Group, shared:
“The festival is an initiative of the Geelong Writers Group, a not-for-profit community group formed to promote support for writers of all genres and to promote writing and literature in the Geelong and Surf Coast regions. We hope the festival will become an annual event in Geelong, providing a wonderful opportunity to develop and showcase local talent in writing and performance. This year, the festival features six plays by local writers that were chosen from 36 plays submitted for consideration and supported by five local theatre groups. Thanks to everyone who took the time to submit – well done to all of you.”
Paul Bucci. Geelong Short Play Festival Working Group Chair:
The Geelong Performing Arts Centre
There are several theatres in the Arts Centre: The festival was held at “The Open House”
It was a full house.
The audience—an eclectic mix of theatre lovers, writers, and curious locals—responded with generous applause and lively conversation during intermission. It was clear that this wasn’t just a showcase, but a celebration of Geelong’s creative pulse.
Among the festival’s generous sponsors was Jaymah Press, a local publishing house committed to nurturing regional voices. It was a delight to see Judy Rankin, editor and publisher at Jaymah, acknowledged for her support—not only of the festival, but of countless writers in the Geelong community.
On a personal note, Judy happens to be the editor and publisher of my own books, and I’m continually grateful for her thoughtful guidance and unwavering belief in the power of poetry and storytelling. Her presence at the festival felt like a quiet thread of continuity—linking the written word to the performed one, and reminding us how interconnected our creative journeys truly are
“Surfacing from the sea of edits — Frankie keeps watch while I wrestle the waves of words.”
Drowning in Words
Emerging from a sea of black and white, Normal fonts floating to the right, Italic letters cascading to the left — Manuscript time has been my head chef.
The last race on the card is over. Proofreading is suffering from overexposure. My foggy mind is resting under the cloud cover, And I’m recuperating on a bed of clover.
“Proofreading fatigue meets sonic flood — Amanda Palmer’s ‘Drowning in the Sound’ echoes the emotional undertow of my own ‘Drowning in Words.’”
Throwback Friday: Shadows Revisited. First shared in January 2025, this poem now finds its place as the opening to my upcoming collection, Time Hears No Sound.
The final proofreading of my upcoming poetry collection, Time Hears No Sound, is nearly complete. This weekend marks the last quiet read-through before I send it off to my editor and publisher (Judy). Meanwhile, my talented cover designer (Kerri) is crafting the book’s visual soul. There’s still a journey ahead, but everything is unfolding beautifully. Thank you for walking beside me.
Lost and Found – or – There, Here, and Where?
There Lying on solid ground, my shallow shadow wears no face And utters no sound.
Here My outline bears no carapace.
Where On a graveside mound, I see my darkness — waiting to be found.