Twelve months ago, while visiting my cousins on Vancouver Island, I tapped out a small poem on my iPhone — a moment shaped by cedar shadows, cold tides, and old family echoes. Today’s Throwback Friday returns to that quiet day, and to the fallen ancestors the island seemed to remember.
Fallen Ancestors
Above I saw time drift across the sky.
Below I heard a grey, waterlogged tree cry, “Is this the graveyard where my fallen ancestors have been left to die?”
There “Against the sea wall’s merciless granite crown, surrounded by cold water crashing around…
Please “Take my hand, guide me down, so I can cover them with my green nightgown.”
A quiet echo of the sea’s old memory — as the tide carries its stories forward, this song keeps a heart in the water.
In the soft glow of a haloed sun, a seagull and his friends traced a tale across the sky — and one of them decided to share a little wisdom as he climbed into the light, shaping today’s poem.
Cyril the Seagull
Cyril is no ordinary seagull, he’s neither plain nor dull.
I’ve been watching him and his friends, soaring through the clouds’ sunny trends.
When he swooped in close enough, I asked him off-the-cuff:
“Why are you considered to be so commonly homespun?” He puffed his wings like a bumblebee and proudly flew off toward the sun.
Cyril whispered as he climbed: Like humans, we also populate the world However, I’m free to fly and enjoy nature’s phoenix sky uncurled.
And as Cyril lifts into the light, this timeless song rises with him — a quiet reminder to simply be.
Just before midnight, I wandered through Nancy’s whimsical corner of The Elephant’s Trunk, where her poetic mischief nudged me over the fence of common sense. In that soft hour, a playful spark took hold — and this anecdotal poem tumbled out as my midnight excuse. For Nancy >> Poet’s Excuse – The Elephant’s Trunk
And because midnight rarely behaves itself, here’s Nick Cave’s “Night Raid” slipping in with its dark velvet mood before the poem leaps the fence again.
There Are No ‘Cents’ in Pretense
None of it needs to make sense no matter present tense or past tense
Your quill has a license to leap the pretense fence — forget about common sense
And write delicious nonsense in future tense with imaginative effulgence
And to round out this midnight ramble, here’s the song I shared with Nancy — Leonard Cohen’s wonderfully unusual “Ballad of the Absent Mare,” a wandering little masterpiece that trots alongside any poet willing to leap the fence of pretense.
Morning wanderings often gift me small mysteries — a snail tracing Olympic rings across the cold pavement, a chalk‑scribbled “One Day” left by some early riser, and the quiet frost that makes creatures reconsider their usual routes. Today, Steve the Snail seemed to have a message for me… and perhaps for anyone feeling a little twisted by winter’s chill.
Over at Weekly Prompts, it’s the final weekend of August, and it’s time for the One Day Prompt. Please visit their fabulous site by clicking on >> Here
Steve the Snail’s Twisted Trail
I’m wondering if Steve the Snail is lost, discombobulated by the morning frost
He usually leaves a straight-lined trail from the rose garden to the window rail
But today his trail looked like Olympic rings — perhaps a note left by his frozen shoestrings.
A gentle, pressing reminder letter: “Hey Ivor … where’s my new winter sweater?”
For this frosty morning’s whimsical trail, I’ve paired Steve’s looping, Olympic‑ring wanderings with Nive Nielsen’s ethereal “Are You Ready” — a song that drifts like cold breath and whispers back at the paths we leave behind.
The late afternoon moon often feels like a reminder — a quiet presence tracing its way across the sky while we trace our own paths below. In its soft light, every line in our hands and every mark on the land seems to carry a story of where we’ve been and where we’re still going. This poem rests inside that moment of reflection, asking what it means to follow the lines that shape our lives.
Tracing the Lines
There you are, all of you, way out there, full and aware – tracing the lines in my hands.
And there are no new brands on the land; every grain of sand still understands.
There’s a crack in everything – in all of you out there, feeling open and bare – tracing the lines in my full glare.
A recently released piece, carrying the same gentle pull of the moon’s slow journey across the sky
Continuing the Leonard Cohen thread from yesterday, today’s Throwback Friday poem, Destination (June 2024), began as a “writing between the lines” exercise for our Dome Poets group here in Geelong. Using Cohen’s The Goal as my guide (shared below), I tried to shape a companion poem that sits quietly between each of his lines.
Destination, by Ivor Steven
The curtains are open The front door is ajar So, I can hear her sing From her distant star
I do not own much My soul is a gold mine I haven’t lost my touch My heart is kind
I share what I have I have hope and love Couldn’t stop the flood Couldn’t hold her glove
I walk alone I look content Regrets are few Despair ferments
I push on and on I do not complain I’m still alive I’m numb to the pain
No one asks No one knows About finality Under the snow
Sometimes a single flight can carry more meaning than the landscape beneath it. This morning’s mudlark — lifting from foreign sands, gliding toward familiar green, then swept off course by an unexpected breeze — became the quiet messenger behind this piece. Its journey echoed the fragile paths we all take toward understanding, toward apology, toward peace. What followed was a poem shaped by wings, weather, and the distant hum of icy choirs.
Winging Toward Peace
Swooping out past the sands of foreign ground Then flying toward the green, bushy trees of that once-fabled promised land — only to be diverted by a bold eastern breeze that buckled my wings and trembling knees and sent me falling into the Arctic freeze, where icy choirs continue the cheers still singing in the hush of sub‑zero seas
There, huddling inside an iceberg’s solitary marque, all the compassionate delegates from overseas gathered to hear pleas for apologies and guarantees from Greenland’s patient, peaceful trustees.
From foreign sands to frozen seas, the journey ends where quiet voices still know the weight of peace. And so, in Greenland’s calm, the final note on harmonious independence lingers.
Last night’s twilight slipped across the sky in muted layers — a quiet blend of fading colour, soft cloud, and the half‑moon’s pale glow behind drifting haze. Standing there with the camera, I felt the day thinning into something slower, dimmer, almost weightless. From that hush, this small poem emerged — a reflection on how light, taste, and time blur at the edges as evening diffuses into night.
What Do You See 355 For WDYS, Sadje offers us a photo by Lensloji (Pexels) of a murmuration of birds forming a shifting pattern above a city skyline and minaret at sunset.
Opaqueness
Time is colourless, yet daytime becomes darkness as evening clouds advertise twilight’s transient demise.
Time is tasteless, yet midnight is infused with blackness except for the half-moon’s translucent loving spoonful of notilucence.
And in the quiet blur between knowing and not knowing, this song finds its way.
These stunning silhouettes stopped me in my tracks — quiet guardians perched above a fragile world. Their calm presence sparked the environmental protest tone of the four couplets below, a reminder of what remains pure when we look up and listen.
The Overseer
I am the overseer of my kingdom, a global realm without a dome.
No barbed-wire fences, only sky, beyond mankind’s envious eyes.
No landmines, only trees, to house and shelter me.
No hard rain, only the sun, glowing, to enlighten everyone
“And now, let the sky speak, where the light continues in sound, with a final glow of gentle music.”