The Elusive Crossroad

Featured Image Above: wae created by Copilot and me.


At the edge of dusk, every path feels like a crossroad.”



The Elusive Crossroad


Beyond the evening’s projecting twilight zone,
I’m looking for this planet’s bright side of the moon.

I observe a strange stratosphere
That does not belong here, nor there.

Between now and the universe’s next episode,
I perceive a mirage of cosmic cathodes,
Faithlessly obscuring eternity’s elusive crossroad.









Ivor Steven ©  January 2026

The Pot’s Still Simmering

Featured Image Above: wae created by Copilot and me.

Over at Sadje’s WDYS #325, I think my poem is appropriate for both of her prompt images. To visit her fabulous site please click >> Here.


This poem grew out of three short pieces I wrote in response to posts by fellow WordPress writers—Beth, Mark, and Dwight. Each anecdote carried its own spark, but together they formed a thread I couldn’t ignore. I’ve woven them here into one poem, a reflection on nature, emotion, and the creative fire that keeps us writing.
In stanza order, they are:
Beth – https://ididnthavemyglasseson.com/2026/01/24/the-magic
Mark – https://havocandconsequence.wordpress.com/2026/01/24/smashed-like-a-deity
Dwight – In Pursuit of Passion | Roth Poetry

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The Pot’s Still Simmering


Once upon a time, while the moon was sweeping
Just after the ice age had ceased creeping
And when the world’s sky had finished  wistfully weeping
Mother Nature always had time for her housekeeping
And would never leave “love” under the snow, sleeping

I’ve always found it difficult
to simply wash away the salty tears
The residual droplets seemed
to have crystallized upon my soul’s fears

While the pot
remains simmering
and the irons are still hot,
a passion for writing
is this poet’s lot





Ivor Steven ©  January 2026

When Words Wear Chains

Feature Image Above: was created by Copilot and me.

Over at Weekly Prompts, the Weekend Challenge is the word “Squish”
To visit their fabulous site, please click >>Hereand I think everything about censorship is awfully “Squishy.”


Nancy’s story on The Elephant’s Trunk [https://theelephantstrunk.org/2026/01/20/rdp-tuesday-disapprove/ ] stirred an old frustration in me — how easily free expression can be twisted, muted, or dismissed. I left a brief comment there, but the idea continued to nag at me throughout the afternoon. Sitting in a quiet corner of the café, I found myself shaping those few lines into something fuller, a small protest poem about the weight of censorship and the stubborn resilience of words. This is where that moment led.



When Words Wear Chains


Words wearing chains,
Pages awash in teary rain;
Quills feel the pain,
Like wisdom without veins
Inside lifeless brains.

How to explain
The inhumane
Of censorship’s careering train,
While the reigning regimes
Sip on foreign champagne.








Ivor Steven ©  January 2026

Discreetly Reflective


Inspired by one of Derrick Knight’s quietly atmospheric New Forest photos — which he kindly allows me to use on my poetry site >>https://derrickjknight.com/2026/01/19/decidedly-damp-2/ — this piece reflects the stillness and subtle depth held in a simple pond.

Discreetly Reflective


Discreetly, here I casually lie,
My opalescent veneer
Facing the weathered sky –
Reflective is my exterior.

Underneath, at the bottom of the weir,
A shallow coldness protects my fear
Of overexposure
To the New Forest’s frontier.
But being a reflective mirror
Is my theatrical nature



Music:“Elegy” by Lisa Gerrard & Patrick Cassidy — a quiet echo of the pond’s stillness.




Ivor Steven ©  January 2026

Throwback Friday, Where Have the Fairies Gone?

Today’s Throwback Friday poem (originally written in August 2023) is drawn from my upcoming book, Time Hears No Sound. It appears as the first poem in the Fairyland section of Chapter 9, Humour, Fantasy, and Fairyland: Timeless


Where Have The Fairies Gone?


Deep in the enchanted woods
Under mossy rocks and water-reeds
I saw an iron-bar prison door
Lying over a cave in the dry creek bed

I wondered and yelled out
“Hello! Is anyone down there?”
Eerily, a gentle voice whispered
“Do not worry, we are sheltering here.”
“Why are you hiding?” I inquired
“We are waiting for humanity
to stop the carnage on our planet.”

Then, peeping up from lower in the chasm
I witnessed that the small luminous eyes
Of Earth’s guardian faeries
Were joyless and crying



Music/Video: by Sigur Ros, “Ylur”, translated means, Warmth




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Until Eyes Hear Sound

Lulu Books >>  Until Eyes Hear Sound (lulu.com)


Perceptions:

Amazon >>  Perceptions : Steven, Ivor, Knight, Derrick: Amazon.com.au: Books
Lulu Books >>  Perceptions (lulu.com)



Tullawalla:

Amazon >> Tullawalla A Meeting Place Where My Empty Hands are Full of Memories and Rhymes : Steven, Ivor: Amazon.com.au: Books


OR: >> You may email me directly for a signed copy at
ivorrs20@gmail.com … and I can send you a PayPal account,
for the Book, plus Postage.


Ivor Steven ©  January 2026

A Pantomime, or, A Playwright

Feature Image Above: Created by Copilot and me.

This poem grew from four comment‑poems I left on two fellow poets’ pages — David’s words sparking the first and third stanzas, Nancy’s the second and fourth. When I brought those fragments together, they unfolded into a small theatrical wandering: a pantomime of thresholds, ascents, and the strange choreography of time.
In Stanza Order:
1. David; The line moves, or: By inertia – The Skeptic’s Kaddish 
2. Nancy; Thresholds – The Elephant’s Trunk
3. David; My years slowly, or: I walk – The Skeptic’s Kaddish 
4. Nancy; Ascension – The Elephant’s Trunk


A Pantomime, or, A Playwright

Sublime is time;
heeds no rhyme,
beyond our imaginary climb.
Somewhere we await a final line –
or is life just a pantomime?

Oh, I see doorways,
stairways,
and causeways
These days
I’m living in a hazy daze –
or am I wandering in a maze
of poetic cliches
and unfinished essays?

Do we climb the incline
to our ordained shrine?
Or is the causeway a surreal design,
a decline into a magnetic mine?

Under a dome of flawless white,
being elevated toward the uncorrupted light –
the beginning of a poet’s last moonlit playwright





From Lisa O’Neill’s Black Sheep “Do you want a story before you sleep?” A fitting echo for this small pantomime of doorways and moonlit climbs.


If you wish to read Lisa O’Neill’s outstanding “Black Sheep” lyrics, click on this Link >> https://genius.com/Lisa-oneill-black-sheep-lyrics



Ivor Steven ©  January 2026

Don’t Open the Venetian Blinds

Featured ImageAbove: Created by Copilot and me.


Winds outside and storms within. Nature shifting, people shifting, and a song that carries the ache of distance. A small piece for looking outward, and inward, at the same time.



Don’t Open the Venetian Blinds



Turbulent seas,
And broken trees
Nature’s wild winds –
Do spellbind mankind’s
Undefined minds.

Buckled knees,
And breaks in the bay’s
Protective quays
Nature’s stone-blind to mankind’s
Redesigned minds.








Ivor Steven ©  January 2026


My Journal’s Wings

Over at Weekly Prompts, the Weekend Challenge is the word ‘Journal.’ To visit their fabulous site, please click >> Here


“This morning’s muse — wings caught mid-thought.”



My Journal’s Wings

High above my poetic eye I fly,
where the early birds gracefully glide by
across the bright morning sky.

And in my journal, I pause to ask why
birds become the muses of my word supply—
as if their wings remind me
that thought itself is a kind of flight,
and every line I write
is another way of learning
how to rise.





Ivor Steven ©  January 2026

No More Alibis


A whispered protest beneath a heavy sky—this poem emerged over coffee and quiet defiance.


No More Alibis



I shyly worry, and quietly sigh
about today’s ugly, dark sky.
In the blink of an eye,
the sun might say, “Hi”
and the world awry,
could be rectified.

No more alibis,
or black eyes.

It’s time to notify
the blow-dried wise guy:
The world is not his money supply

We will not be tongue-tied,
nor listen to his falsified
“War cry.”







Ivor Steven ©  January 2026

What Colour is the Edge?

Featured Image Above: Created by Copilot and me.

An image and song that drifts along the same edge this poem explores — between light, shadow, and the unknown.


What Colour is the Edge?


I ask myself,
Is there an edge?
Is it the golden sun rising,
or the hessian sun setting?
Is it the dark horizon
beyond the deep blue ocean?

Then I wonder,
What is the edge?
Is it the black chasm
beyond the starry universe,
or is it the white light
when time sees no night?






Ivor Steven ©  January 2026