Alex Steven (Dad), February 5th 1924 – July 3rd 2015
A Weary Old Plumber, I’m Thinking of You (Happy Birthday, Dad)
One hundred and two years ago When dark became day And the sun shone on you Did the gods of the world know How lucky they were That your sphere of love Was all-encompassing
Sorry to my readers and followers for my lack of blogging this week … The old plumber/poet traded his quill in for his old rusty spanner and dirty hammer … Drawing Above: done for me by Rose in 2017 – https://poetrummager.org/
Back On The Tools. (adapted from “An Old-time Plumber”)
I’ll be seventy-five in July Could I actually do the task? Am I physically strong enough? Am I mentally sharp and able enough To endure four to five days of hard work?
Surprise, surprise – I have survived the first three days. The job is nearing completion, and the client is suitably pleased, And I am home beside the fan, enjoying a cold glass of beer. Although when I finished, it was nearly dinner time, And my back was stiff as red-gum bark – But a job stamped by my old-time quality trademark.
Before I can wrap up the job and rest on the weekend, I’m waiting for a made-to-order cover panel Which, unfortunately, will conceal all of my handiwork.
While waiting for my CHW article to appear last night, I found myself knee‑deep in “lucky envelopes” for the book‑stall dip — a poet’s version of factory work, complete with midnight muttering and a very patient supervisor. Somewhere between the folding and the stacking, this little whimsy arrived.
The Poet’s Lucky Envelope Humdrum
A poem a day is my way; print five copies of each without delay. Do not overflow the out tray – place the copies in relay, the next five crossways … and so on – it’s child’s play.
Fold each foolscap page in half, then fold again, into quarters. Any fool can do it! Open an envelope, shove in the folded page (No need for that frustrated rage). Start a row of five; put the next five on top … and so on – it’s child’s play ’til midnight ends the day.
And for the soundtrack to this late‑night humdrum, here’s Leonard Cohen and U2 with Tower of Song — a perfect companion for a poet quietly working under the watchful eye of Frankie.
Two scenes from the same evening — twilight blazing in the west and moonlight rising in the east. Nature offered both, and the music speaks for itself. Which one draws you in?
Lioness Eyes
Who’s winning the mesmerising photographic contest – twilight’s effervescent scarlet sky, illuminating the horizon in the west or the moon’s royal blue panorama edifying the evening clouds in the east?
Both scenarios are beautifully picturesque, and choosing my favourite phosphorescence is beyond my universe’s tinted opalescence.
A quiet moment in the afternoon sun, with shadows drifting and Lisa O’Neill’s “Sparkle” humming at the edges…
Micropoetry is an ultra-short form of poetry, typically under 25 words or 140 characters, blending creative brevity with precise language, sharp imagery, and emotional depth, while allowing diverse interpretations.
Wandering Romeos (a Micro Poem)
Like falling snow… Shadows come and go.
Some have sharp claws – Others have soft paws.
My shadow’s afterglow… Is a château For any wandering Romeo.
Hello, dear readers and followers. As you may know, I stopped producing my “Tullawalla Booklets” at #31 because that was the house number of our family’s Tullawalla Homestead. However, the booklet format is a superb way for me to catalogue the vast number of poems I produce, and as the saying goes, “I Am Turning Another Page”. Here I have begun a new series of poem booklets, called “Shangri La”, the name of my little Villa, and it is my piece of “earthly paradise, a retreat from the pressures of modern civilization”. I now have “2245” Poems filed in these booklet formats!! (On my bookshelf, I have “The Complete Poems of Emily Dickinson, which contains 1775 poems … when I first started writing poems, I never envisaged that I would produce so many poems)
“Like all my booklets, this one is here to be read at your leisure — no rush, no expectation, just an open page waiting when you are.”
Click >>Here. for the link to your FREE: PDF Copy of“Shangri La, Volume 18, Between Here and the Edge.”
I’m no ancient mariner with a sextant to chart the sky The moon was falling into bed, the sun rising ahead, both at the same height, as if I were the hinge between them.
Here I stand on their earthbound bridge at the centre of my own universe, unsure of my footing near the edge – am I fading into the advancing ground, or drifting back toward an old wedding pledge.
Once upon a time, while the moon was sweeping Just after the ice age had ceased creeping And when the world’s sky had finished wistfully weeping Mother Nature always had time for her housekeeping And would never leave “love” under the snow, sleeping
I’ve always found it difficult to simply wash away the salty tears The residual droplets seemed to have crystallized upon my soul’s fears
While the pot remains simmering and the irons are still hot, a passion for writing is this poet’s lot
Feature Image Above: was created by Copilot and me.
Over at Weekly Prompts, the Weekend Challenge is the word “Squish” To visit their fabulous site, please click >>Here … and I think everything about censorship is awfully “Squishy.”
Nancy’s story on The Elephant’s Trunk [https://theelephantstrunk.org/2026/01/20/rdp-tuesday-disapprove/ ] stirred an old frustration in me — how easily free expression can be twisted, muted, or dismissed. I left a brief comment there, but the idea continued to nag at me throughout the afternoon. Sitting in a quiet corner of the café, I found myself shaping those few lines into something fuller, a small protest poem about the weight of censorship and the stubborn resilience of words. This is where that moment led.
When Words Wear Chains
Words wearing chains, Pages awash in teary rain; Quills feel the pain, Like wisdom without veins Inside lifeless brains.
How to explain The inhumane Of censorship’s careering train, While the reigning regimes Sip on foreign champagne.
Inspired by one of Derrick Knight’s quietly atmospheric New Forest photos — which he kindly allows me to use on my poetry site >>https://derrickjknight.com/2026/01/19/decidedly-damp-2/ — this piece reflects the stillness and subtle depth held in a simple pond.
Discreetly Reflective
Discreetly, here I casually lie, My opalescent veneer Facing the weathered sky – Reflective is my exterior.
Underneath, at the bottom of the weir, A shallow coldness protects my fear Of overexposure To the New Forest’s frontier. But being a reflective mirror Is my theatrical nature
Music:“Elegy” by Lisa Gerrard & Patrick Cassidy — a quiet echo of the pond’s stillness.