Edenic Sky

Last night’s concert is still humming through me this morning — a gentle afterglow of voices, strings, and silhouettes that hasn’t quite settled. I’m too tired to write a full review, but the feeling of it all lingers, shaping this small poem the way a single note can colour an entire sky. With Bird on a Wire echoing softly in my thoughts, the night has lifted into something quiet and edenic, finding its way into these lines.


From wings in the sky to voices on stage — the same rhythm of freedom and grace carries through.


Maree and Ivor just before the concert began.




Edenic Sky


I’m on a poetic high,
up here in my symphonic sky —
like a bird on a wire,
above the bustling dragonflies
buzzing around on standby.

Up here in my rhythmic sky,
away from the politician’s tongue ties
and blind glass eyes —
floating inside last month’s mince pie,
still gloating about the blowflies
hovering over Shanghai’s
under-prepared stir fry.

I’m on a poetic high,
up here in my edenic sky.





And so I’ll leave the morning here, with the last notes of the concert still drifting somewhere just out of reach, colouring the sky in their own quiet way. The bird on the wire, the sepia light, and the poem’s small rise all feel like echoes of that lingering music — a reminder that some nights don’t end; they simply soften into the day.




Ivor Steven ©  September 2026

The Show’s Never Over

It’s one of those weekends when the creative threads seem to weave together—poems waiting in my drafts, music humming through the house, and Saturday night’s Cohen Noir concert drawing closer with its promise of words, wisdom, and that unmistakable Leonard Cohen glow. The Show’s Never Over feels like the perfect analogy for it all: the way a poem keeps singing long after the final line, just as Cohen’s legacy keeps echoing through every voice that carries his songs forward.

To set the mood, I’ve paired the piece with this tender and beautifully rendered cover — David Gilmour’s “Thanks For The Dance”, from the Von Trapped Series — a quiet homage that feels right at home beside the poem.






The Show’s Never Over



Nature’s time-honoured outdoor theatre
never closes.
My out-of-date eyes
never tire
of remaining open for the entire show,
never asleep
until my weary midnight curtain
slowly drapes down
over my dreamtime playground.





Sometimes a poem leaves a final shimmer in the air — the same lingering glow that Cohen’s songs carry — and this quiet, heartfelt cover feels like the perfect echo of that moment.



Ivor Steven ©  September 2026

Cohen Noir: Celebrating the Music, Words & Legacy of Leonard Cohen

Cohen Noir: Celebrating the Music, Words & Legacy of Leonard Cohen

There’s a quiet thrill in the air today — Maree and I have just secured our tickets to Cohen Noir: Celebrating the Music, Words & Legacy of Leonard Cohen, live at the Melbourne Recital Centre on Saturday, 26th September.

It’s only four weeks away, but the mood is already settling in: that velvet‑dark Cohen atmosphere, the poetry, the ache, the humour, the songs that have followed us through decades. To step into a hall shaped for his voice — even through the hands of others — feels like a gift waiting patiently on the horizon.

A wonderful night ahead… and I’m looking forward to sharing the experience with you all.



And as we count down the four short weeks to Cohen Noir, I keep returning to the night we saw Leonard himself in Melbourne back in 2009 — a concert that still hums in the heart. To set the mood, here’s his wonderfully cheeky and soulful Tower of Song, live from London in 2008.




Ivor Steven ©  August 2026

Throwback Friday, Destination

Continuing the Leonard Cohen thread from yesterday, today’s Throwback Friday poem, Destination (June 2024), began as a “writing between the lines” exercise for our Dome Poets group here in Geelong. Using Cohen’s The Goal as my guide (shared below), I tried to shape a companion poem that sits quietly between each of his lines.





Destination, by Ivor Steven

The curtains are open
The front door is ajar
So, I can hear her sing
From her distant star

I do not own much
My soul is a gold mine
I haven’t lost my touch
My heart is kind

I share what I have
I have hope and love
Couldn’t stop the flood
Couldn’t hold her glove

I walk alone
I look content
Regrets are few
Despair ferments

I push on and on
I do not complain
I’m still alive
I’m numb to the pain

No one asks
No one knows
About finality
Under the snow

===========================

“The Goal”, by Leonard Cohen


I can’t leave my house
Or answer the phone
I’m going down again
But I’m not alone

Settling at last
Accounts of the soul
This for the trash
That paid in full

As for the fall, it
Began long ago
Can’t stop the rain
Can’t stop the snow

I sit in my chair
I look at the street
The neighbor returns
My smile of defeat

I move with the leaves
I shine with the chrome
I’m almost alive
I’m almost at home

No one to follow
And nothing to teach
Except that the goal
Falls short of the reach






And finally, before the night fades, the poem whose shadows and truths shaped my own lines — Leonard Cohen’s The Goal.


.


Until Eyes Hear Sound

Amazon >> Amazon.com : Until Eyes Hear Sound

Lulu Books >>  Until Eyes Hear Sound (lulu.com)




Perceptions:

Amazon >>  Perceptions : Steven, Ivor, Knight, Derrick: Amazon.com.au: Books
Lulu Books >>  Perceptions (lulu.com)




Tullawalla:

Amazon >> Tullawalla A Meeting Place Where My Empty Hands are Full of Memories and Rhymes : Steven, Ivor: Amazon.com.au: Books



OR: >> You may email me directly for a signed copy at
ivorrs20@gmail.com … and I can send you a PayPal account,
for the Book, plus Postage.



Ivor Steven ©  August 2026

The Portrait That Found Me

“I wish I could say everything in one word. I hate all the things that can happen between the beginning of a sentence and the end.” … Leonard Cohen

Tonight, at the launch of naXOs — Geelong Writers’ new anthology of resonant, experimental poetry — I was invited to read my piece The Portrait That Found Me. Now that the book is in my hands, I’m delighted to share the poem here as it appears in the collection. It grew from a quiet, unexpected moment, the kind of encounter that shifts its own boundaries and finds you before you find it — a fitting addition to an anthology that celebrates fresh connections through image, language, and form.


Moments from tonight’s naXOs anthology launch — my reading of The Portrait That Found Me, shared among friends, voices, and a generous audience.



The poem as published in the naXOs anthology.




And to end the night, a final nod to the voice that steadied my steps — Leonard Cohen, Field Commander of the tender and true



Ivor Steven ©  August 2026

An Emerald Tapestry

  “Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.” ― Leonard Cohen
Featured Image Above: taken from the lookout at the Moorabool Valley Chocolate Cafe, overling the emerald valley …

An Emerald Tapestry


I resumed living last decade

Narrowly surviving gravities finality

Now, I lean against my tower’s balustrade

That overlooks an emerald valley


Echoing from my castle’s balcony

I hear Leonard Cohen’s words about life’s pagentry

Outlining the spiritual tapestry

Of commonality, morality, and vitality





Ivor Steven (c) November 2021

A Singer Must Die



Five years ago

On that day

I cried

I cannot forget

The death of a ladies man

When he found his, sisters of mercy


On this day, hallelujah

I now, fondly remember

By the rivers dark

In the land of plenty

Our, Field Commander Cohen

Singing from above, in his, Tower of Song


Attached Videos Below are in order of appearence in “Italic song titles“ in my poem above.

On That Day

I Cannot Forget

Death of a Ladies Man

Sisters of Mercy

Hallelujah

By The Rivers Dark

In The Land Of Plenty

Field Commander Cohen

Tower Of Song




Ivor Steven (c) November “7th” 2021

Strings

Today’s poem, is a piece I originally wrote in June 2017, and the words were influenced by Leonard Cohen’s song, “Show Me The Place”, and this being the 5rd anniversary of his passing, I thought it an appropriated day to re-post my poem. I’ve revised the poem a couple of times, the original title was “Violin Strings”, but overall, the meaning of my words have stayed intact..   The Featured Image above, is scanned copy from, “The Wordless Songbook”, Leonard Cohen, by George A. Walker, book cover print, (A book, in my personal library)


Strings

I’m singing a song, about you

Singing words, both wistful and true

From my heart to my soul, the veins

They’re as tight as violin strings

I needed you, to take my hand

Take my hand and show me the way

Show me the way, to a formal debut

Show me the way, into your dancing shoes


I needed you, to take my dreams

Take my dreams and show me how to behave

Show me the way, to your family home

Show me how to drink, from your holy grail

I needed you, to take my open heart

Take my heart and show me how to pray

Show me the way, into your world

Show me how to fly, in your milky way


I needed you, to write some heavenly notes

Take my violin and show me how to play

Show me the way, to your harp’s wings

Show me the way, into your heartstrings





Ivor Steven (c) November “7th” 2021

Throwback Friday, Home, by Ivor Steven

My tribute post for Leonard Cohen, up at “Go Dog Go Cafe”

ivor20's avatarGo Dog Go Café

This Sunday 7th of November, will be the fifth anniversay of Leonard Cohen’s passing. On that day 2016, I wrote this poem “Home”, as my little tribute to the man who was my personal muse and mentor for over fifty years. Back then my words were inspired by his song, “Show Me The Place” … and now I have to add “Thank You For Dance” Leonard Cohen …

Home

Take me to my home

Home is where my heart is

Home is on that windy hill

Home is a secret valley

Home is a heavenly cloud

Take me to my home

I’m waiting here all alone

I’m packed ready to go

I’m departing this old place

I’m leaving this world behind

Take me to my home

I know the beyond will be greener

I know you’ll there

I know you’ve been waiting

I know you’ll hold me again

Hold me…

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